Estados Unidos / Canadá,
(1996–1997), 17 h 45 min
(Minutos: 42–45 min)
Reparto:
David Duchovny,
Gillian Anderson,
Mitch Pileggi,
William B. Davis,
Laurie Holden,
Brendan Beiser,
Rebecca Toolan,
Tom Braidwood,
Nicholas Lea,
Scott Bellis, Bruce Harwood, Sheila Larken, John Neville, Chris Owens, Jan Rubeš st., Joe Spano, Fritz Weaver, Malcolm Stewart, Chilton Crane, Stefan Arngrim, Dean Haglund, Vitaliy Kravchenko, Tom O'Brien, Brent Stait, Mark Schooley, Rick Dobran, Campbell Lane, David Palffy, Greg Michaels, Oscar Goncalves, Charles Cioffi, Raoul Ganeev, Roy Thinnes, Brian Thompson, Steven Williams, Karin Konoval, Sebastian Spence, Lachlan Murdoch, Douglas Smith, Carl Lumbly, Zakes Mokae, Dexter Bell, Pruitt Taylor Vince, William MacDonald, Scott Heindl, Kristen Cloke, Michael Massee, Doug Abrahams, Michael Dobson, Richard Beymer, O-Lan Jones, Andrew Airlie, Donnelly Rhodes, Jerry Hardin, Dan Zukovic, Colin Lawrence, Robin Mossley, Brenda McDonald, Tom Noonan, Paul Bittante, Mark Gibbon, Rubén Blades, Raymond Cruz, Jose Yenque, Michael Kopsa, José Vargas, Tony Dean Smith, Paul McCrane, Marjorie Lovett, Bill Dow, Sean Campbell, Peter Bryant, Brad Loree, Rodney Rowland, Jillian Fargey, David Lovgren, Gillian Barber, Marilyn Norry, Justine Miceli, David Groh, Channon Roe, Peter LaCroix, Scott Hylands, Robert Moloney, Felicia Shulman, Susan Lee Hoffman, Michael Fairman, Jed Rees, Hiro Kanagawa, Jonathan Walker, Darin Morgan, Lee de Broux, Paul McGillion, Peter Kelamis, Sydney Lassick, Nancy Fish, Lorena Gale, Michael Puttonen, Christine Willes, Jay Acovone, John Finn, Steve Makaj, Rob Freeman, Carl Sagan (arch.), Matthew Walker, Jonathan Whittaker, Addison Ridge, Neil Denis, Danny Wattley, Marie Stillin, Donna White, Laurie Murdoch, Alison Matthews, John Moore, Tucker Smallwood, Susan Bain, Michael Short, Pat Skipper, Michael Cram, Mike Nussbaum, Lillian Hurst, David Wohl, Lesley Ewen, BJ Harrison, Karen Kruper, Kurt Max Runte, Michael David Simms, Morgan Weisser, John Destry, Bill Croft, Barry W. Levy, P. Lynn Johnson, Christine Cavanaugh, Byrne Piven, Larry Musser, Jane Perry, Jeff McLeod, Tatiana Chekhova, Kerry van der Griend, Laara Sadiq, Eileen Pedde, Sharon Alexander, Forbes Angus, Fred Keating, Judith Maxie, Don Stewart, Anthony Harrison, Peter Hanlon, Paul Jarrett, Robert Weiss, David Bloom, Andy Thompson, Liza Huget, Jodie Foster, Jennifer Clement, Lucia Walters, Steven M. Porter, Alex Bruhanski, Ken Tremblett, Andrew Johnston, James Sutorius, Robert F. Kennedy (arch.), Martin Luther King (arch.), Harrison Coe, Dawn Murphy, Bob Morrisey, Greg Thirloway, Willie Amakye, Eric Breker, Ron Chartier, Patricia Idlette, Tony Sagastizado I, Carolyn Tweedle, George Gordon, Gerry Nairn, Robert Rozen (más)
(más profesiones)
Herrenvolk 4/5: Decent mythological episode, but as an introduction to the season it's simply not good enough. Home 5/5: It’s wonderful, wonderful. Oh, so wonderful... Teliko 4/5: It is surprising that African legends are not used more often in horror movies. There is clearly a huge potential in this department. Unruhe 4/5: Disturbing and not only because of Vince's eyes. The Field Where I Died 3/5: Great idea that is poorly presented. Sanguinarium 4/5: Kind of normal magic-plastic gore surgery. Musings Of A Cigarette-Smoking Man 3/5: Stories from the life of the shadow Forrest Gump in American history, including a bench and a box of chocolates. Tunguska 4/5: A prologue that is making us want to watch it as few others. Cliffhanger is one of the most creepy moments of the series and everything in between is so-so mythology. Terma 3/5: Unbalanced. An unprecedented number of great scenes on one side, an unprecedented number of awkward ones on the other. Paper Hearts 5/5: Picnic on Hanging Rock performed by X Files. El Mundo Gira 3/5: Mexican soap opera with Maria, that Carlos Santana would be happy about. And he would certainly appreciate those mushrooms. Leonard Betts 4/5: Ebert's thumb up! No doubt about that! Never Again 4/5: Scully finally has a fling and Jodie Foster is envious of it. Memento Mori 4/5: The cut-out family scene is the best part about it, but it still excellent. If put less Mulder's hunt and add more Scully's intimate moments, then it would have been simply perfect. Kaddish 3/5: A mediocre movie, of which you will only remember the history of a ring from Kolín, a village near Prague. They definitely did not make the most of the Jewish folklore. Unrequited 2/5: The idea with a blind spot is not bad, but everything else is. From incorporating the idea into the story, through the story itself, to an abundance of effects instead of hints. The worst episode of the fourth season. Tempus Fugit 3/5: The first part of a two-episode conspiracy story. This time about a mysteriously crashed aircraft. It's not bad, but apart from the ending, nothing much is happening here in fact. Max 4/5: So good that it makes the last part a waste of time. Synchrony 4/5: The theme seems quite cheap even for the X-Files, but it is approached perfectly in the first half. The second part is not bad either, but I personally think that "what happened, happened and always happened, otherwise it could never have happen". Small Potatoes 5/5: So cute little ta ils. When the X Files are not taken seriously, it usually turns out to be unforgettable. When the author of the script is Gilligan, the result turns out to be unforgettable. When the author of the script is Gilligan, the result turns out to be unforgettable. Zero Sum 5/5: Mayas the Bee make things hot and we peep inside the soul and lonely life of the "problem sweeper". It's a useless job. No one will appreciate it. You won't sleep well and on top of that Fox "a burr under your saddle" Mulder won't leave you alone. We want more episodes from Skinner's point of view. Elegy 3/5: Gillian steals the show, and the music is also worth mentioning, which this time creates perfect atmosphere in an unprecedented way. What a pity that the script not only scores an own goal but fails terribly. Demons 3/5: After Scully, also Mulder got his own episode, but like her last time, he has no support in the "The Hangover like" script. Gethsemane 4/5: Hoax escapades, which are perhaps the best idea in the mythological story line for the whole time of X Files. An idea that could have made a stylish ending. But also an idea that remains unused and fades away faster than would be appropriate. The ending must have made insecure many viewers at the time. () (menos) (más)