Director:
Nora FingscheidtGuión:
Nora FingscheidtCámara:
Yunus Roy ImerMúsica:
John GürtlerReparto:
Helena Zengel, Albrecht Schuch, Lisa Hagmeister, Gabriela Maria Schmeide, Melanie Straub, Victoria Trauttmansdorff, Maryam Zaree, Tedros Teclebrhan (más)Sinopsis(1)
She is small, but dangerous. Wherever Benni ends up, she is immediately expelled. The wild 9-year- old girl has already become what child protection services call a “system crasher”. And she is certainly not looking to change her ways. Because Benni has one single goal: to be back at home with her mommy! But Bianca is scared of her own daughter. Mrs. Bafane? from child protection services is trying her best to find a permanent placement for Benni. She hires the anger management trainer Micha as Benni’s school escort and suddenly there is a seed of hope. Will Micha be able to succeed where all others despaired? (B-Plan Distribution)
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Reseñas (7)
Un drama verdaderamente intransigente e incómodo sobre un niño cuyo trauma pasado le convierte en un peligro para sí mismo y para su entorno, pero ¿cómo se le puede ayudar? Lo que presenciamos es un carrusel de medidas educativas, todas ellas fallidas y sin solución a la vista. Pero la trama de la película de dos horas se atasca un poco, cuando se nos presentan unos minutos de esperanza y luego decepción, una y otra vez. Nora Fingscheidt quería que el público se sintiera frustrado por la desesperanza de la situación, pero algo así hubiera bastado en una película de noventa minutos. Aquí, después de la primera hora, estaba pensando que podría llegar al final. Por no hablar del hecho de que no llegamos a conocer información bastante crucial sobre el tipo de trauma que arrastra la pequeña Benni y, lo que es más importante, quién lo ha provocado (o qué papel ha desempeñado su madre, personaje crucial en la película). Y no me perdono un pequeño comentario burlón al final: que una niña de nueve años pueda correr más rápido que cualquiera de los perseguidores adultos cada vez es casi una fantasía. Pero sigo pensando que es bueno ver esta película. [KVIFF 2019]
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Un drama denso sobre una niña de diez años con agresivos arrebatos de rabia, que su propia madre teme, y las instituciones sociales la hacen pasar como el juego de La Mona. De forma general, la película con más gritos del año, y también se presenta como un largometraje publicitario sobre la anticoncepción, presenta a grandes actores y tiene una visión empática de las preocupaciones de los trabajadores sociales, cuya sensación de desesperanza, amenaza y terror constante se transmite con éxito a los espectadores. La película sobresale por la generación de temores de otro ataque de la protagonista y ofrece una serie de escenas sorprendentemente escalofriantes, pero en su segunda mitad se estanca en un círculo durante mucho tiempo, para poner fin al sufrimiento de manera algo satisfactoria.
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Germany serves up a dense, emotional, nerve-wracking, chilling and uncomfortable drama in the manner of the Scandinavians, and it's powerful! I was similarly torn by Nothing Bad Can Happen last time I saw a Germ film, and this one was similarly strong. The story focuses on a ten-year old girl who is literally a System Crasher. Her mother can't handle her and is actually scared of her, the social workers don't know how to handle her either, in fact no one can handle her at all and she is a terror to everyone. She's a ticking time bomb that could go off at any time. I personally didn't feel sorry for her because I don't sympathize with psychopaths regardless of age, especially considering the horrors they do to those around them. The highlight is the scene on the ice, unexpected directorial courage! The film has some uncomfortable and adrenaline pumping scenes and at times is not really fun to watch. One of those films that will leave something in you and if you don't have kids, you certainly won't be longing for the experience. Story*****, Action>No, Humor>No, Violence***, Entertainment****,Music***, Visual***, Atmosphere****. 8/10:
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Child's Play: Don't touch my face! I assume that the cyclical nature of the plot was meant to emphasize the hopelessness of the situation and exhaust the viewer, who encounters it for only two hours and from a detached perspective. The result is a “non-family film,” followed by admiration for those who try to chew through a morsel that was too large for its creator and then still have to somehow swallow it.
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I had no idea that an uncontrollable child is referred to as a "system crasher" in Germany. But I was fascinated by how vibrantly, humanly, and rawly the director brought this concept to life in her debut film. I was captivated and enjoyed every minute of it. This film made me ponder whether things are any different in my country, or if we also face endless bureaucracy and a lack of more humane approaches within the confines of the rules. I suspect it's not much different here. The real question is, how many system crashers does our own society produce today?
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