Lux Æterna

I'm more excited for Noé's next full-length feature. This fun little project, funded by Yves Saint Laurent, feels like a waste of time and effort. Despite its short runtime, it’s unbearably talkative and dull. Béatrice Dalle was insufferable and currently tops my list of actresses I can't stand. I've seen about five films with her, and none have earned more than 2 stars from me — she should be a red flag to avoid watching. The true Noé moment comes only at the flashing finale, which still isn't as impactful as the epileptic scenes in his previous films. I'm torn between 1 and 2 stars, but I'll give it the higher rating for its intriguing depiction of the madness that can occur on a film set. (11.11.2019)

Una mirada entre bastidores de una pequeña producción cinematográfica en curso, en la que todo el mundo se grita, no sabe lo que está pasando y está drogado. Los actores y actrices más conocidos se interpretan a sí mismos aquí. Al final, Gaspar le da un cierre más significativo y ofrece otro memorable cierre de créditos, pero en su conjunto es un fiasco, que solo se sostiene con las caras de los actores conocidos participantes. [Cannes] (20.05.2019)

Noé got a pile of money from Yves Saint Laurent with a single assignment: to make a short film cast with the brand’s faces. But, as expected, Noé did the whole thing his own way, so instead of a standard commercial stylised into a quarter-hour film, the result is a 50-minute auteur pun reminiscent of browsing Cahiers du Cinéma while tripping, where Noé pays tribute to the paramount creative vision which, despite the mad chaos and personal interest of individuals, gives rise to true works of art that will become milestones of cinema. (19.05.2019)