Director:
Chloé ZhaoGuión:
Chloé ZhaoCámara:
Joshua James RichardsMúsica:
Ludovico EinaudiReparto:
Frances McDormand, David Strathairn, Linda May, Swankie, Bob Wells, Peter Spears, Cat Clifford, Tay Strathairn, Gay DeForest, Patricia Grier, Angela Reyes (más)Streaming (4)
Sinopsis(1)
La película está protagonizada por Fern (McDormand), una mujer que, tras el colapso económico de una empresa en una zona rural de Nevada, decide subirse a su furgoneta y echarse a la carretera convertida en una nómada moderna, dispuesta a descubrir cómo es la vida en los márgenes de la sociedad convencional. El filme también cuenta con los nómadas reales Linda May, Swankie y Bob Wells, que harán las veces de mentores y compañeros de Fern en este viaje recorriendo el inmenso paisaje del Oeste de Estados Unidos. (20th Century Studios España)
(más)Videos (24)
Reseñas (11)
Película desafiante, género - Road movie. Altamente recomendada para todos los seguidores, admiradores y defensores de los Estados Unidos de América. No tengo ilusiones, por lo tanto, no me considero un espectador adecuado para esta película. No se puede cuestionar la habilidad del director y la cámara, eso es indiscutible. Pero, ¿la historia? El mensaje fundamental sobre el estado de los Estados Unidos de América podría ser comunicado de otra manera que no sea a través del cine. Tuve que esforzarme mucho para poder seguir viendo Tierra de nomadland, a veces fue una verdadera angustia mental para mí. Y Frances McDormand y yo nunca estaremos de acuerdo. Ya pasó y espero que esta película no gane esta noche en la categoría de mejor película, hay otros y mucho mejores candidatos.
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A fragile, subtle social drama that resonated with me in a similar way as its indie brother The Florida Project did years ago, which I actually found more distinctive and more interesting. But even so, I had no problem empathising with Fren's nomadic fate and sometimes, in my late fifties, when everything at work pisses me off, I'd pick everything up and move to Kořenov in the Jizera Mountains, in the middle of beautiful nature :o) I really envied her unbridled freedom sometimes, and the nice people around her, you don’t get that in our country. Still, I have a nagging feeling that the Oscar buzz around this film is a testament to how poor last year was cinematically. In other times, in fatter years, Chloé Zhao would have collected awards only at Sundance, but now she can dream of golden baldies in her covid nightmare.
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An empathetically constructed carefree romp where everyone can find themselves at different spots. A little melancholic, a little contemplative, lots of thinking about death and the futility of human effort. And even though everything has already been more or less successfully explored in other independent works of self-discovery, Frances McDormand is so down-to-earth and "yours" that you have no defense, and with every solitary sunrise, she pricks your heart a little bit again.
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Do you know that feeling when you watch a movie that is decent in terms of sound, visually beautiful, but indifferent in terms of acting? In addition, during the movie, I reflected on American hobos and realized that while campfire songs are a sign of freedom, relaxation, and comfort for us, in America they are relied upon by the poor classes - nomads - people who couldn't live in harmony with the city and so they flee anywhere where they will be alone. Frances McDormand is typically great, but essentially she didn't have much to play.
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Nomandland has come out of the festival circuit with the reputation of one of the best films of the year and a clear Oscar favourite, something that may generate expectations impossible to meet for some people. For me, it’s a very decent drama with a superb Frances McDormand, but I can’t say it stands out in any significant way from many other decent dramas. On the other hand, it’s clear that, in terms of social relevance, it will surely resonate more in the US than here. 7/10
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