Director:
Filip RenčCámara:
Petr HojdaMúsica:
Ondřej SoukupReparto:
Lukáš Vaculík, Aňa Geislerová, Tomáš Hanák, Pavel Landovský, Vladimír Mertlík, Leo Marian Vodička, Milan Mejla Hlavsa, Helga Čočková, Michal Nesvadba (más)Sinopsis(1)
This post-modern detective story tells in a pictorially decorative style about an investigation of an alleged murder in high business class. A young photographer and amateur pilot during one of his flights photographs an act similar to murder and tries to track down details. A rich businessman, who claims that it was all only a game of paintball, is highly interested in the photographer's negative. (texto oficial de la distribuidora)
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Reseñas (2)
Filipangelo Renčonioni: A piece of shit. I dare say that the audio aspect captured my interest. Whether it was a Mitsubishi driving through the empty streets of Prague at dawn with something like tech-noir Brad Fiedel playing, or ambient music seemingly lifted from Badalamenti's score. But then any character spoke, and everything was lost. Lukáš Vaculík, who never changes his outfit, is in the same position as in his films that have meteorological phenomena in their titles. Geislerová appears as a slightly childish femme fatale, Hanák with calluses on his hands from pressing hard, and as a silent bonus, Milan Mejla Hlavsa looking like Karpof, releasing rats with teeth coated in a potent poison. Filip Renč is bold with the time and place, but these are the moments when the creator knows the plot’s inferiority and, in his self-centeredness, mistakenly believes he can compensate with atmosphere.
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Twenty years after its premiere, it is finally possible to return to War of Colours in a reasonable format and enjoy everything I love about Czech films from the 90s. All the discoveries of the Western style of storytelling, all the montages and clip passages, the attractive setting, the ingeniously written roles for the local actors, and the unique feeling of that high when even little Aňa with a blonde wig could conquer the world. Her wonderfully childish dialogues about first love, betrayal, and the big world are a treat to listen to. Of course, the modeling environment also does its job, and also the well-chosen (not only) Prague locations. The worldly Hanák is also absolutely great, even better next to the homely Vaculík. Ah, the golden '90s!
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