Director:
Luc BessonCámara:
Carlo VariniReparto:
Rosanna Arquette, Jean-Marc Barr, Jean Reno, Paul Shenar, Sergio Castellitto, Jean Bouise, Griffin Dunne, Valentina Vargas, Eric Do, Luc Besson, Paul Herman (más)Sinopsis(1)
La película cuenta la obsesión de dos hombres por el buceo, obsesión que los persigue desde niños. Encuentran en el interior del mar una especie de plenitud, como si de su verdadero hábitat se tratara. Jacques Mayhol, incluso, complementa esa pasión con una gran atracción y comprensión hacia los delfines. La historia de un buzo que ama las profundidades del mar que ama a una mujer,pero por sobre todo ama la libertad. (20th Century Fox España)
(más)Videos (1)
Reseñas (11)
Una película hermosa por la profundidad del pensamiento y la poesía de la historia. Estoy dispuesto a perdonarle la mezcla salvaje de drama y comedia, es Francia. Lo que no puedo perdonarle, sin embargo, es la austera concepción visual que la lleva de la pantalla de cine a la de televisión. De los que hicieron El profesional, Nikita, dura de matar o Atlantis, también espero atractivo visual.
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It lacks a proper visual concept. Occasionally, it looks like a cheap made-for-TV production rather than a work of the famous Luc Besson. A few nice deep shots, several scenes with dolphins, and that's about all that’s worth mentioning. Only Eric Serra didn't disappoint, he gain composed perfect music that can easily rival his greatest works (La Femme Nikita, Leon).
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This avid diver and amateur oceanologist made himself and me happy. His film revels in the sun, in various shades of blue, and makes you want to put on a swimsuit and jump into the sea. And even though the plot itself is not very optimistic, it breathes comfort and Besson's love for the sea. And Eric Serra? He’s superb here! He applied his penchant for synthetic sounds, which he transformed into ambient surfaces that are beautiful to listen to. I own the soundtrack, it's a very relaxing album, totally different from his sound cacophony in The Fifth Element.
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For two years, The Big Blue has been taking up space on my hard drive without any use and all this time I didn't have the desire or courage to watch it, anticipating that I would significantly dislike this effort from Luc Besson. The time when it had something to offer me is long gone, very long gone. I was not mistaken and when I think about it, I get the impression that my 2 stars are quite a decent expression of my conformity with 84% satisfaction on FilmBooster and enthusiastic comments from many users. What Besson offers me, i.e., music and underwater shots, can be offered to me in a more attractive package by any nature documentary. I don't like its Hollywood sloppiness, it is empty in content and besides, I increasingly mind films that pretend to have greater depth and profound messages where all I see is more posing. Overall impression: 40%.
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It's interesting to follow the journey of a filmmaker who was considered a phenomenon in the 1980s and nowadays no one is too sure whether the trust placed in him was a disappointment or just exaggerated expectations. Be that as it may, it's now a piece of history and the French touch of Besson is not nearly as engaging as it once was. However, in hindsight, it's quite interesting to watch then-star Rosanna Arquette in a very natural role (remember those sassy, unattractive girls of hers?), Jean-Marc Barr (who I otherwise only see in von Trier projects), and Reno, who I never know what to think of (are those poses of his still cool today)?
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