Cineastas:
Richard PriceReparto:
Ben Mendelsohn, Jason Bateman, Cynthia Erivo, Bill Camp, Mare Winningham, Paddy Considine, Julianne Nicholson, Yul Vazquez, Jeremy Bobb, Marc Menchaca (más)Episodios(10)
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Fish in a Barrel (E01)
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Roanoke (E02)
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Dark Uncle (E03)
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Que Viene el Coco (E04)
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Tear-Drinker (E05)
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The One About the Yiddish Vampire (E06)
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In the Pines, In the Pines (E07)
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Foxhead (E08)
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Tigers and Bears (E09)
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Must/Can't (E10)
Sinopsis(1)
Based on Stephen King’s bestselling novel of the same name, the 10-episode series The Outsider follows police detective Ralph Anderson (Ben Mendelsohn), as he sets out to investigate the mutilated body of 11-year-old Frankie Peterson found in the Georgia woods. The mysterious circumstances surrounding this horrifying crime leads Ralph, still grieving the recent death of his own son, to bring in unorthodox private investigator Holly Gibney (Cynthia Erivo), whose uncanny abilities he hopes will help explain the unexplainable. (HBO Europe)
(más)Reseñas (5)
In the first episode, the inexperienced Jason Bateman directs like he came from David Fincher's sperm. In other words, the pilot is the most intense I've seen on the series production front in years, and Bateman pulls off the paranoid, oppressive stew in two timelines with absolute ease. The rest, however, is just good, occasionally suspenseful, but it's mostly drawn out and doesn't justify the ten-part runtime (I would cut, among other things, everything about the psychologist, or Holly's partner). The core premise is great, though, King is a master.
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It could and should have been a supernatural blunder. In fact, it is a candidate for one of the best series of the year, which, through a horror motif, similarly to Hill House, deals with something very civil and contagiously melancholic. The slow small-town elegy of guilt and reconciliation is terribly captivating, and nothing will change the disconcerted end. Ben Mendelsohn and Cynthia Erivo are the best detective duo of the year.
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This year's first hit series based on Stephen King's work ends today after a 10-week marathon, so if you haven’t seen it, do catch up. The Outsider is a well made dark crime thriller that has an excellent and almost uncomfortable score, a gripping atmosphere, a perfect central mystery and well chosen characters Ben Mendelsohn in a very strong role and I was very pleased with Cynthia Erivo, who gave the series the necessary energy as an unusual investigator. The downside may be the slower pace and that there is not much action or violence, yet I was not downright bored with any episode as the well-written dialogue, the actors and the atmosphere were enough in this case. The final episode has received quite a bit of hate, but I was satisfied with that one as well. If there was anything that downright annoyed me about the series, it was the twist-betrayal in the second episode, which was a shocking move, but if it hadn't happened, the whole thing could have been a bit better. Even though the series isn't perfect, it's something that shouldn't be missed this year by anyone who likes dark and mysterious stories. Action**, Story*****, Violence**, Entertainment****, Humor>No, Atmosphere/Music***** 8/10.
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An excellent production of King’s paranormal novel, which suffers a little in the conclusion from some changes made to the original story. The opening is procedural and ultra-realistic, reminiscent of True Detective. The choice of shots, the close-ups, Mendelson’s tired face of a burnt-out detective. And Bateman’s performance as the potential suspect is flawlessly insensitive. But the choice to make a ten-episode series out of it was unfortunate, because by the second episode, The Outsider starts to become inflated with filler, taking the story on often unnecessary detours. Not to mention the protracted dialogue scenes that make the heroes look like ignoramuses. Despite a change of origin, Cynthia Erivo is outstanding as Holly, even though she could have been more reserved (of course, there is a lack continuity from the preceding three books). The confrontation in the season finale is more terrifying in the book's climax (direct, with a catharsis that works) and the Texas setting is more interesting. Still, this is one of the best adaptations and I hope it gets another season with the same cast. Even with a boring, ordinary drug-gang underworld murder, as Ralph wished for at the end. P.S: While watching, we were switching between this and The Boss Baby and the contrast is really bizarre. :-D
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I have to admit one thing: up until about the fourth episode, I would have given the series a full five stars right away, thanks to its atmospheric presentation, chilling music, and believable performances. What more could one ask for? Gradually, though, I hoped the series would gain momentum, and in this regard, there was a slight disappointment. Yes, the plot does start to build, but at a sloth's pace. I don’t mind a slower-moving story, but here it crossed the line of tolerability. This doesn’t change the fact that I’d personally label the script as more than just successful; I enjoyed the clever dialogue, the twists were engaging, Ben Mendelsohn was once again excellent, and the rest of the cast supported him well. However, the extremely slow pace hurt the overall experience. I think shortening the series by two episodes would have greatly benefited this project. I expected a somewhat more grandiose ending, but it was still gratifying to see that the series isn’t ending with the first season (as indicated by the post-credits scene of the final episode). All in all, I haven’t read the book, so I can’t make comparisons, but I overall liked the series. For next time, a bit more speed would be beneficial. I give it 80%.
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