Director:
Lee Isaac ChungGuión:
Lee Isaac ChungCámara:
Lachlan MilneMúsica:
Emile MosseriReparto:
Steven Yeun, Ye-ri Han, Yuh-jung Youn, Noel Cho, Alan S. Kim, Will Patton, Scott Haze, Darryl Cox, Laurie Cummings, Chloe Lee, Esther Moon, Ben Hall (más)Streaming (3)
Sinopsis(1)
A mediados de los 80, una familia coreano-estadounidense se muda a una pequeña granja de Arkansas en busca del sueño americano. El hogar familiar cambia por completo con la llegada de la abuela, astuta, malhablada pero increíblemente cariñosa. Ante la inestabilidad y los desafíos de esta nueva vida, cada miembro de la familia descubrirá que su vínculo incondicional es la fuerza que necesitan para salir adelante. (A Contracorriente Films)
(más)Reseñas (5)
Minari y la Tierra de los Nómadas tienen algo en común: puedes alejarte de la pantalla durante cinco, diez, quince, veinte, tal vez incluso treinta minutos, y no notarás ningún desarrollo importante, cambio o dramatismo en la trama. La historia simplemente fluye, la cámara captura hermosas imágenes, pero los personajes no juegan ningún papel transcendental. Hay dos escenas más dramáticas, pero eso es todo. La nominación al Oscar por su actuación principal es completamente inapropiada en comparación con Anthony Hopkins y Gary Oldman.
()
Very nice. An A24 drama about a family of Korean immigrants trying to get a farm going in Arkansas, though the heart of the story is the relationship between the boy and his grandmother. It’s ideal when you’re looking for something to touch you, but not in a cheap way. What blew my mind, though, was the chick sexing thing, I didn’t know it existed. Dream job :D
()
From the beginning, it seems nice, casual. The viewer feels like this is the kind of epic drama where a Korean family made some money to buy a piece of land that no Americans want, and decided to grow Korean crops on it. However, over time, Will Patton starts interfering with his orthodoxly extravagant exorcism of the devil from the crops growing on the land, and it started to have a touch of something that I probably don't need to see in the movie. The atmosphere of the environment is still nice, and the end of the movie is melancholically beautiful. You simply wish happiness to that family, even though they often encounter prototypes of limited Americans.
()
And so the Yanks can check off their "Korean movie". You could say it's similar to the dramas we know from Korea, only a bit weaker, without a proper plot, without any surprising moments. I believe that viewers who are not used to Korean filmmaking, actors, and their habits and actions might be charmed by it. I do wonder where the added value is. Yeah, sure, there's the connection between the two countries, and that has its charm, but what else? I guess my expectations were too high. 3 stars.
()
Minari combines several timeless themes in an artful way: partner, family and intergenerational relationships, the theme of immigration, and the search for the "American dream" (for South Koreans). At times it reminded me a little of Marriage Story, but Noah Baumbach's film goes more to the core. I was particularly intrigued by the grandmother's character and her (initially awkward) interaction with her grandson – Yeo-jeong Yoon gives a really solid performance and also provides a few laugh-out-loud moments to balance out the dramatic line ("Ding dong broken!"). Story-wise, the film offers more than one symbolic moment to ponder, and in addition to its intimate setting, Minari also captivated me with its haunting musical score. A weaker four stars!
()
Anuncio