Director:
Kornél MundruczóGuión:
Kata WéberCámara:
Benjamin LoebMúsica:
Howard ShoreReparto:
Vanessa Kirby, Shia LaBeouf, Ellen Burstyn, Benny Safdie, Molly Parker, Sarah Snook, Iliza Shlesinger, Jimmie Fails, Sean Tucker, Domenic Di Rosa (más)Streaming (1)
Sinopsis(1)
A heartbreaking home birth leaves a woman grappling with the profound emotional fallout, isolated from her partner and family by a chasm of grief. (Netflix)
Reseñas (5)
Película pesada y tema pesado, que puede generar innumerables controversias y polémicas. Esta película me presentó a otra actriz en la lista de aquellas que hay que seguir: Vanessa Kirby. Hizo una actuación magnífica, sumamente exigente tanto psicológicamente como físicamente, y merecidamente aspira al Oscar, aunque probablemente no tenga éxito en competencia con afroamericanas. Shia LaBeouf la complementa hábilmente y la experimentada Ellen Burstyn destaca en un papel secundario. Siempre he tenido una opinión muy negativa sobre los partos en casa, que se ha intensificado con esta película. Cada mujer y cada pareja tiene, por supuesto, la libre elección, pero puede haber tantas complicaciones a las que el entorno casero mejor preparado no pueda reaccionar adecuadamente, como un hospital equipado con personal y dispositivos.
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The opening birth scene is one of the best film sequences in recent years. Unfortunately, the rest of the film never reaches that high bar, nor does it present anything very original, but I’m still satisfied.
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Topic, which probably not everyone needs to see, including here and there explicit first half hour of childbirth that not everyone can handle. And not just because of explicitness, but also because of the topic itself. However, if you get through it, you will witness a splendid acting performance by Vanessa Kirby and equally interesting Shiy, who is interesting wherever he appears. Nevertheless, to me it all still seems a bit superficial.
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Sensitively filmed, superbly acted. And especially from Vanessa, who is – and I'm certainly not saying this for the first time – absolutely fantastic. The film is all about her, and her character is very interesting. Her movie husband – if I'm not mistaken – said about her at the beginning that she's always cool. And that's how she came across to me, a strong and emotionally stable woman. What happens to her and to those around her when she's faced with such a difficult life situation? You can see that for yourself. I know I'm going to be one of the few, but I didn't find Shia very likable in his role. But to be honest, I almost always feel that way about him.
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The opening scene, which demonstrates the hell of home birth, is extremely impressive and pretty much determines all the events that follow. It's at once fascinating and disheartening how the mutual support and understanding during the intro subsequently turns into chiding, contempt, and a conscious need to hurt each other. I see great truth in the old familiar cliché that despite the noblest of intentions, no one in their immediate community can understand how you really feels in such a difficult situation. Through the evocative performances of both Vanessa Kirby and Shia LaBeouf (that guy is really good), Pieces of a Woman gives a fairly comprehensive picture of what happens to the psyche of two people who have experienced together one of the worst possible tragedies in their lives. Remarkably conscientious, sensitive, and delivered with a strange fragility, this is an elegy that is extremely intimate yet monumental. [80%]
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