Director:
Steven SoderberghCámara:
Steven SoderberghMúsica:
David HolmesReparto:
George Clooney, Matt Damon, Andy Garcia, Brad Pitt, Julia Roberts, Carl Reiner, Bernie Mac, Elliott Gould, Casey Affleck, Scott Caan, Don Cheadle (más)Streaming (6)
Sinopsis(1)
El atildado Danny Ocean es un hombre de acción. Menos de 24 horas después de salir en libertad condicional de una prisión de New Jersey, el irónico y carismático ladrón ya está preparando su siguiente plan. Siguiendo tres reglas: no hagas daño a nadie, no robes a nadie que no se lo merezca, y juega limpio como si no tuvieras nada que perder, Danny organiza el más sofisticado y elaborado atraco a casinos de la historia. En una noche, el equipo de especialistas de Danny, integrado por 11 hombres cuidadosamente elegidos, entre los que figuran un destacado tahúr, un experto carterista y un genio de la demoliciones, intentarán robar más de 150 millones de dólares de tres casinos de Las Vegas propiedad de Terry Benedic, el elegante y despiadado empresario que da la casualidad de que está saliendo con la ex-esposa de Danny, Tess. (Warner Bros. España)
(más)Videos (1)
Reseñas (11)
Desde los compañeros de Danny se desprende una energía positiva y entusiasmo de los actores, que disfrutan claramente de la actuación. Un elenco estelar como el que se reúne en toda la serie se encuentra en pocas series, y mucho menos en películas. Clooney, Pitt, Damon, Garcia, Roberts, Cheadle, Mac... Es un placer ver a este grupo de astutos ladrones.
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I haven't felt this good in a long time. A comedy from the world of thieves in the most elegant presentation. Traffic was indeed amazing, but here, you can see that Soderbergh wanted to take a directorial break. The film is neither frantic nor slow paced. It moves along in a relaxed manner that suits both it and the audience. There are no unnecessary scenes to prolong the film. There is also no unnecessary action, flashy camera shots, explosions (actually, there are a few, but there's no megalomania), and God forbid, car chases. I give the benefit of the doubt to those who say that it doesn't matter if the casino is eventually robbed or not. It's all about how it's done. Cunningly! This is the only word I can think of. Perhaps a bit too much and it’s cinematic, but it's not about art, but about entertainment. Hats off to you, Steven Soderbergh. The ensemble cast doesn't deliver Oscar-winning performances, but it's evident that everyone is having a good time, just like the director. Even Andy Garcia, who I kind of felt sorry for because I have him pegged as a positive protagonist. I considered Julia Roberts a sympathetic addition to a great film. Like I said, I haven't felt this good in a long time. Two hours in the company of a great cast working on one great job.
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A good mood from the first charming expression on George Clooney's face to the final tone of the sensual soundtrack. Steven Soderbergh has been breaking through to me through several unsuccessful attempts, but I am now even happier that I finally got to a great experience. This firmly organized yet slightly confused squad is impossible not to love.
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A pleasant spectacle that certainly does not aspire to a revolutionary shift in the genre of "thief" films, but fills all the typical clichés and the traditional narrative framework with ease and a certain elegance, which greatly helps the ironic subtext of the whole film. If there's one thing that bothered me, it was the lengthy introduction in which the traditional "recruiting" humor doesn't work very well (how much funnier The Ladykillers is in this regard!) and the vast difference between the distinctive performances of the stars and the bland characters of the lesser-known members of the eleven. Soderbergh managed to film 116 minutes of brisk, pleasant and relaxing entertainment, which, while not breathtaking, is guaranteed not to spoil the evening.
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A big portion of entertainment for big money; that simple equation, which rarely works out for filmmakers, has worked brilliantly here. The all-star cast has a chance to properly show off, the script doesn't let up with its barrage of plot information and pleasant humour, and Steven Soderbergh coaxes this artificially stylized bunch with his traditionally effective directorial touch, though ironically his filmmaker's qualities in a such mindless a flick are a waste... But let’s be happy for that ;) 80%
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