Director:
Guillermo del ToroGuión:
David S. GoyerCámara:
Gabriel BeristainMúsica:
Marco BeltramiReparto:
Wesley Snipes, Kris Kristofferson, Ron Perlman, Leonor Varela, Norman Reedus, Thomas Kretschmann, Luke Goss, Matt Schulze, Danny John-Jules, Donnie Yen (más)Streaming (1)
Sinopsis(1)
Blade se ve obligado a aliarse con un grupo de vampiros liderado por su mayor enemigo, para luchar contra una nueva clase de criaturas que se alimentan no sólo de humanos, sino también de los propios vampiros. Blade deberá decidir si puede confiar en los que hasta ese momento eran sus mayores enemigos, mientras busca la forma de derrotar a esta nueva encarnación del Mal que está a punto de dominar las calles e imponer su reinado de terror. (Tripictures)
(más)Videos (1)
Reseñas (8)
Mientras que la primera Blade era un cliché estándar con un ritmo decente y un gorefest visual, la segunda es un cliché estándar con un gran ritmo y un supergorefest visual. Siempre que fue posible, Guillermo del Toro apretó más, y el resultado es más crudo, escurridizo y cargado que la primera película. Una actualización similar al segundo Terminator. Si hubiera añadido un poco más de carácter a esos grandes personajes, ¡le habría dado 5*!
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A deluge of total action. The best cure for a bad mood and probably the last really good Wesley Snipes movie. Del Toro opened the door to Hollywood with his second Blade, and that was a damn important moment. Remember my words when you breathlessly watch In the Mountains of Madness which is in preparation. P.S.: Perlman's Reinhardt is brilliant.
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A hair’s breadth better than the first one. But that's because this time it doesn't pretend anything at all. The creators simply made a solid B-movie with all the frills for their own enjoyment and that of others. Silly dialogs, cool lines and actors, decent action, lots of stupid moments, and so on. It is a pity that they did not make it shorter, as that would only have benefited the final product.
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Del Toro surpasses Norrington's first installment in many aspects. The action is considerably better, more dynamic and bloodier, and the fantastic drive does not waver even in the dialogues and slower scenes. The music adds maximum coolness, and the tough wisecracks are placed exactly in the right spots. Wesley Snipes doesn't showcase anything new, but his old tricks are more than sufficient – his inseparable sunglasses alone are worth attention. The few plot holes and logical absurdities can easily be overlooked because, with such pace, you can notice them only on a third or fourth viewing. The pleasant diversification in the form of Bloodpack and Leonor Varela (the ending is powerful) and even the return of Kris Kristofferson is appreciated. Probably the best installment.
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A horrible digital mess, from which Guillermo de Toro's thoroughbred stamp occasionally shines, but it is immediately scattered by cheap chatter and truly ugly tricks. It is no longer worth showing Wesley Snipes's demented face, but thankfully the reputation of idiocy is traditionally saved by the divine Ron Perlman. I also don't understand what Cat is doing amongst the vampires and why he doesn't transform even once. Ehm. The most watchable film from the trilogy, but still very below average...
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