Director:
Luchino ViscontiCámara:
Pasqualino De SantisReparto:
Dirk Bogarde, Romolo Valli, Mark Burns, Nora Ricci, Marisa Berenson, Carole André, Björn Andrésen, Silvana Mangano, Franco Fabrizi, Marco Tulli (más)Streaming (2)
Sinopsis(1)
Tras sufrir una crisis creativa, el compositor Gustav Von Aschenbach llega al Lido de Venecia para pasar una temporada de vacaciones en solitario, con el fin, no sólo de reflexionar, sino también de dar descanso a un cuerpo extenuado y enfermo. En el Hotel Des Bains llama su atención una familia de turistas polacos, especialmente el joven Tadzio, un bellísimo adolescente por el que siente una súbita e intensa atracción. Turbado por esta repentina pasión, el músico decide marcharse, pero un error con el equipaje le obliga a regresar. Persiguiendo al chico por las callejuelas de Venecia, Aschenbach descubre que la ciudad está afectada por una epidemia de cólera, aunque las autoridades la ocultan. A pesar del peligro decide permanecer en la ciudad y no avisar a la familia polaca para seguir disfrutando del muchacho. Se siente devorado por pensamientos contradictorios que reflejan su propia contradicción entre sus principios morales y la pasión que el joven ha desatado en él. (Movistar+)
(más)Videos (2)
Reseñas (4)
A musical beauty abused for its narrative emptiness and dragging camera capturing Venice, Dirk Bogarde, and Björn Andrésen. Luchino Visconti does exactly what I condemn in acclaimed directing giants. He films for himself and gives the viewer nothing more than his smug smile. I hate the impersonal form at the expense of the story, and therefore, I would be a hypocrite if I rated it higher.
()
This movie adaptation of a famous story has an insane running time due to the vastness of the source material. It has a captivating musical score, beautiful costumes and some great cinematography, but I found it too drawn out and visually rather poor, for example the shot of Aschenbach, then Tazio and back again. In short, a film that must have been controversial in its day but fizzles out today, and it could have also done without two thirds of its running time.
()
Seen on a wide screen in the classy premises of Slovácké divadlo and I have to say that it was my greatest experience at SFS so far!! A visual and auditory feast with Visconti's incredible magic with images and the divine music of Gustav Mahler. Even the story, however simple, can captivate with its poignancy on the theme of forbidden love and the decay of society and the human spirit. However, it is how and where you see the work that is essential to the overall impression. This really belongs in the cinema.
()
In the context of the German Visconti trilogy, this is an interesting piece. The Damned was a mannerist film of low artistic quality, but this one had quite a bit of energy mainly thanks to Mann's book. The climax amounts to the very conciliatory forgiveness of a nation defined by an all-powerful elite.
()
Anuncio