Director:
Antoine FuquaCámara:
Maz MakhaniMúsica:
Marcelo ZarvosReparto:
Jake Gyllenhaal, Riley Keough, Peter Sarsgaard, Ethan Hawke, Eli Goree, Christina Vidal, Adrian Martinez, Da'Vine Joy Randolph, David Castañeda Jr. (más)Streaming (1)
Sinopsis(1)
Un policía que atiende el teléfono de emergencias intenta salvar a una mujer aterrorizada en un angustioso día de revelaciones y ajustes de cuentas. (Netflix)
Videos (2)
Reseñas (7)
Con el conocimiento del original noruego y por lo tanto de toda la trama, incluido el punto, ya no puede cautivar. Más bien, simplemente disfrutamos de la presencia de Jake Gyllenhaal y comparamos el concepto formal que animan las grandes pantallas del centro de comunicaciones, que muestran incendios forestales en California. La intensidad del estado mental tenso del personaje principal es sorprendente en esta producción convencional de Netflix, como si Antoine Fuqua intentara compensar la falta de crudeza y autenticidad de la película original. Gyllenhaal se esfuerza en su actuación y todos sabemos que puede hacerlo, pero la concentración en su personaje es casi excesiva. No la conocemos lo suficiente ni sus lados humanos buenos para poder simpatizar con ella.
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This is just another Americanized carbon copy overshadowed by the original 2018 Danish movie called The Guilty. There is no point watching it if you have already seen the original as this movie has nothing new to offer. The only enjoyable aspect was Jake Gyllenhaal's focused performance, even though he was really completely wasted in this.
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An intimate and such a well written film that it seemed to me almost like an adaptation of a very good radio play. I didn't see the original, so I was able to be (for an hour and a half) tense and wait to see what came out of it, because from the beginning something suspicious hung in the air in that strange night atmosphere. Jake Gyllenhaal is great and the point was successful - given that and the overall tone, I understand why the Americans needed to make (remake) this film and at this time.
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A thriller... and a cheap one. Gyllenhall savors the ambiguous character of an emergency line operator who gets a call from an abducted woman. With a computer and head set in the supporting roles. I haven’t seen the original and don’t know how much Pizzolatto changed, but the dialogs and twists are very good with the suffocating Covid atmosphere. Calling over the phone and face to face contact just aren’t the same! One day I might watch the original Danish version.
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It doesn't feel like the Americans added anything fresh to this remake. In fact, it seems to lack some logic in places. The concept does lend itself to a strong performance, and Jake Gyllenhaal definitely takes the spotlight, maybe a bit too egoistically. If you haven’t seen the original, it’s a decent minimalist thriller. Otherwise, it feels pretty unnecessary.
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