Ljósbrot

Los adolescentes de Islandia y el trágico evento con el que no contaban. El adjetivo "íntimo" adquiere aquí un significado aún más profundo que de costumbre. Detalladamente retratando crecientes preocupaciones por la pérdida de un ser querido y luego encontrando consuelo en el dolor. El personaje principal lo experimenta en gran parte de manera oculta, sin comprensión del entorno y por lo tanto con mayor intensidad. Un drama breve, escaso en argumento pero lleno de emociones y psicología, con un hermoso desenlace poético. [Cannes FF] (20.05.2024)

A Nordic indie film of the traditional cut. But very good. Rúnar Rúnarsson has made a film that can be all the more powerful the less you know about it. A tragic accident has occurred in Iceland, claiming the lives of several people, and now it's time to mourn. Young art student Una has also lost someone she cared about, but finds herself having to bear the heavy loss alone despite the fact that all her friends and comrades are suffering around her, she had something more in common with one of the victims, something that fate ended decisively. Rúnarsson is in no hurry to get anywhere, practically the whole film follows the protagonist in a situation that can't lead to anything good, it's just a question of how many people she can hurt in the end. We'll probably hear more about the expressive and charismatic Elín Hall in the future, plus the director relies on long takes during which Hall has to sell her emotions in a significant way several times, but usually only with her eyes, and it's extremely impressive. You know what's going on in her head, but no one around her does. Moreover, Rúnarsson shoots in a similar way to Paul Greengrass, so When the Light Breaks is a very intimate and personal film indeed, but one in which crucial things aren't or can't be talked about. And at the same time, you get the feeling that all the things under the lid are uncontrollably coming to the surface and will touch you too. A powerful drama that manages to be moving, sad, chilling and sensitive without imposing itself in any way. Formally, it's also pretty audience-friendly and for me personally, probably the most enjoyable film experience of this year's festival. (04.07.2024)